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200 Trio

Genre: Jazz

  1. Thursday, April 23 9:00 PM (21+)

Cole Schuster (guitar), Greg Feingold (upright bass), and Max Holmberg (drum set).

The members of 200 Trio met during their time at Berklee College of Music in Boston. Since then, guitarist Cole Schuster and bassist Greg Feingold moved to Seattle to join drummer Max Holmberg in swinging endeavors.

https://www.facebook.com/200trio/info?tab=page_info

 

91.3 KBCS Friday Night Live

Genre: Funk , Soul

  1. Friday, April 24 7:00 PM (21+)

Featuring Uncle Meghabhuti, Funkscribe, Atlee Treasure, J-Justice, and Gregory D’Elia.

Join us for a night of funk, soul, and eclectic electronic dance music courtesy Seattle finest club djs, broadcasting live on 91.3 KBCS from the Musicquarium Lounge.

7pm-1am

UNCLE MEGHABHUTI & FUNKSCRIBE PRESENT

For over 5 years,  DJ Uncle Meghabhuti & DJ Funkscribe have been bringing you soul & funk music in all its forms. You’ll hear deep funk 45′s, dusty party funk LP’s, Motown, 80′s boogie, sweet 60′s soul, hip hop, neo-soul, breakbeats & more – all guaranteed to get your Friday night started right. The show is mainly vinyl, so expect rare party jams to get you on the dance floor and get excited!

CITY SOUL

Presenting a kaleidoscope of soulful electronic sounds, City Soul connects the dots between modern club culture and its past influences from around the globe. Hosted by Seattle club DJs Atlee and J-Justice.

VARIATIONS

Delves into the continually prolific electronic music community from local to the global. Occasional studio interviews, live guests plus new, classic, and found creations. Genres extend through dubstep, jungle/dnb, house, electro, minimal, IDM, bonkin’, crunkin’, and circuit bending! Hosted by Gregory D’Elia.

A Cedar Suede w/ Maiah Manser

Genre: Everything

A Cedar Suede celebrates the release of their highly anticipated debut, full-band album, The Legend of the Great T.D. Bingo: an epic saga through steamy jungles, scorched deserts, pastoral romance, and virtuosic drama.

Cinematic World-Fusion:

“…their sound is so diverse and distinct that one moment you’ll hear an Afro-Cuban beat you’re moving your feet to, and the next second you’re pondering if you’re catching a hint of bluegrass in the same song.” Seattle Art Museum

Founded in Seattle’s Capitol Hill neighborhood by Cornish alums, Harold Belskus (Guitar) and Jamie Maschler (Accordion), the two often performed as an intimate duet or trio, featuring violinist, Amanda Fitch. Rooted in Latin and Mediterranean influences, their early music consisted of simple, though rich harmonic textures with layers of impassioned improvisation. After only a few months of collaborating, they released their 2011 self-titled, self-produced, debut EP. It was immediately well-received, followed by radio play and performances across the Pacific Northwest, California, and Colorado.

The infectious appeal of this small group began to draw the attention of peers, many suggesting that the group expand in size and sound to reach their full potential. So in 2013, they gathered some of the most vibrant and talented players in the Seattle area. Additional horns and a full rhythm section seamlessly fused their classical and jazz traditions in a manner that draws respect from the most critical listeners, and still gets people up and dancing. Their music has been compared to Chic Corea, Beirut, Devotchka, and Snarky Puppy.

Each tune tells its own grand adventure, and this is just the beginning...

To pre-order The Legend of the Great T.D. Bingo, visit www.acedarsuede.com

25% of pre-order proceeds will benefit the Rainforest Action Network.







---------------------------------

Maiah Manser

After experiencing Maiah perform in a dimly lit night club in October of 2013, Damon Christopher Moore of Electrokitty put out a helping hand to bring her music to fruition. After she produced the entire song herself, Maiah finally took the plunge with Damon to produce her latest single "Hold Your Head Up" in the studio. Terence Ankeny of Zoolab and Garrett Reynolds also assisted in the creation of the song with Branden Clarke polishing it in mastering.  Maiah plans to work with Damon to finish the rest of her EP coming in spring of 2015.  Her music has been compared to Bjork, Fiona Apple, Jeff Buckley and Florence and the Machine. For Maiah, It is essential for her to focus on the world we live in today when formulating songs. Living in a dichotomy of a digital vs. organic world, she strives to craft music that reflects this 21st century conundrum and reconcile the present in order to connect. With this, you might hear lush orchestral sounds paired with electronic beats and samples.  Likewise, she has always been drawn to visual art and finds ways to incorporate her visual aesthetics by collaborating with talented local artists such as  Joshua Taylor, Josie Simonet, Domenic Barbero, Casey Sjogren, Chelsea Rodino and many others.  Maiah has also recently recorded on tracks and co-written for Manatee Commune, The Theoretics, and Zoolab while also working with artists such as Mary Lambert, Whitney Lyman, and Pollens. 

Maiah Manser Music

www.maiahmanser.com



Active Child w/ Low Roar

Genre: Electronica , Experimental

  1. Sunday, June 28 7:30 PM (All ages)

Pat Grossi, aka Active Child, is no stranger to the stage. Now residing in Los Angeles, Grossi grew up in the northeast as a member of the Philadelphia Boy’s Choir.  Since, he’s gone on to release two renowned EPs, an LP, and toured the world. “Singing with the choir was my first experience performing,” he reflects, “but it wasn’t until I was called out of the group and sang solo that I really felt the rush of live performance. I used to get so nervous for those solos, standing knees locked in anticipation of that moment when I would be summoned to step forward.” 


Fast forward to present day and we see Grossi at center stage once again on his sophomore full-length, Mercy. “I’ve always been a vulnerable performer and writer. This is nothing new. But the new style of production in regards to my voice was almost entirely due to a change in taste. In the past, effecting my voice with reverb and doubling was exciting, but now it bores me. When you remove those layers there’s an undeniable authenticity. But there’s no deep meaning behind the change. Its speaks for itself. As you grow you sing differently, phrase melodies differently, and produce differently. Everything is always changing based on what excites you in that moment.”


Serving as a follow up to 2011’s critically acclaimed LP, You Are All I See, and 2013’s Rapor EP (featuring Mikky Ekko and Ellie Goulding), Mercy showcases Grossi’s raw, honest, and incredible vocals like never before. “On Mercy I wanted to feel new again in my own music. It’s been four years since my last full length album and I wanted these songs to reflect my growth as an artist over that time. And I wanted my voice to be heard, and not just felt.” Produced and recorded in Brooklyn with Van Rivers (Blonde Redhead, Fever Ray) the ten track LP is a collection of love songs, each shining a different light on the subject. “This album more than previous releases feels like more of a collaboration between the producer and I. His fingerprints are all over these songs and he really pushed me vocally, more than anyone has before.”


Written almost exclusively on the harp and piano, Mercy opens with “1999,” a juxtaposition of playful harmonies and sullen narrations of past love.  Effortlessly descending from one track to the next, upbeat songs like “Never Far Away” tell of deep, secure love, while those like “Darling” tell a more somber story of lost love as Grossi plucks innocently on the harp in the background. “Darling has always stuck out to me. Sometimes the simplest phrases and thoughts can encapsulate the most complex emotions. When I wrote that song I was about as low as I've ever been and of all the songs it's the one that truly felt like it was given to me. It passed through me quickly…the best ones usually do.” Mercy closes with “Too Late,” a song of reflection and regret featuring Grossi on the piano and his layered, flawless-yet-ghostly harmonies on the forefront.  The album wraps with the words, “maybe it’s too late for us, now I know, now I know,” leaving the listener with some finality to the whirlwind of heartfelt emotions experienced throughout 

a member of the Philadelphia Boy’s Choir.  Since, he’s gone on to release two renowned EPs, an LP, and toured the world. “Singing with the choir was my first experience performing,” he reflects, “but it wasn’t until I was called out of the group and sang solo that I really felt the rush of live performance. I used to get so nervous for those solos, standing knees locked in anticipation of that moment when I would be summoned to step forward.”  


Fast forward to present day and we see Grossi at center stage once again on his sophomore full-length, Mercy. “I’ve always been a vulnerable performer and writer. This is nothing new. But the new style of production in regards to my voice was almost entirely due to a change in taste. In the past, effecting my voice with reverb and doubling was exciting, but now it bores me. When you remove those layers there’s an undeniable authenticity. But there’s no deep meaning behind the change. Its speaks for itself. As you grow you sing differently, phrase melodies differently, and produce differently. Everything is always changing based on what excites you in that moment.”


Serving as a follow up to 2011’s critically acclaimed LP, You Are All I See, and 2013’s Rapor EP (featuring Mikky Ekko and Ellie Goulding), Mercy showcases Grossi’s raw, honest, and incredible vocals like never before. “On Mercy I wanted to feel new again in my own music. It’s been four years since my last full length album and I wanted these songs to reflect my growth as an artist over that time. And I wanted my voice to be heard, and not just felt.” Produced and recorded in Brooklyn with Van Rivers (Blonde Redhead, Fever Ray) the ten track LP is a collection of love songs, each shining a different light on the subject. “This album more than previous releases feels like more of a collaboration between the producer and I. His fingerprints are all over these songs and he really pushed me vocally, more than anyone has before.”


Written almost exclusively on the harp and piano, Mercy opens with “1999,” a juxtaposition of playful harmonies and sullen narrations of past love.  Effortlessly descending from one track to the next, upbeat songs like “Never Far Away” tell of deep, secure love, while those like “Darling” tell a more somber story of lost love as Grossi plucks innocently on the harp in the background. “Darling has always stuck out to me. Sometimes the simplest phrases and thoughts can encapsulate the most complex emotions. When I wrote that song I was about as low as I've ever been and of all the songs it's the one that truly felt like it was given to me. It passed through me quickly…the best ones usually do.” Mercy closes with “Too Late,” a song of reflection and regret featuring Grossi on the piano and his layered, flawless-yet-ghostly harmonies on the forefront.  The album wraps with the words, “maybe it’s too late for us, now I know, now I know,” leaving the listener with some finality to the whirlwind of heartfelt emotions experienced throughout. 


“After writing for a few years I started to wonder what the purpose is of writing another song. You question the validity of each statement, each lyric, until you start to drive yourself crazy with doubt. This is an artist’s worst fear: that loss of vision. As I worked through this doubt I started to make sense of why I write and what moves me to create. And for me the real motivation is emotional clarity, without music as an outlet I’m not sure how I would cope.”


Mercy will be released nationwide on June 16 via Vagrant Records. 

http://activechildmusic.com/

http://www.lowroarmusic.com/



Airport Way

Genre: Classic Rock , Pop

  1. Friday, April 03 9:00 PM (21+)

Airport Way uses a combination of Classic Rock, Pop, and Reggae music with standard jazz, hip hop, rock, and pop-reggae drum rhythms to create a brand of independent music called ISLAND ROCK. The live Airport Way experience spans a range of emotion, from the word-of-mouth house party to the opening act "starter" for national musicians. The audience brings their personality, Airport Way provides the energy, and that collaboration rarely leaves a listening audience mute and untouched.

www.reverbnation.com/airportway

www.facebook.com/airportway

Albert Cummings

Genre: Blues Guitar

  1. Sunday, July 19 7:30 PM (All ages)




Breaking every cliche associated with the blues while producing some of the most powerful music of the 21st century comes natural to Albert Cummings. The Massachusetts native learned the requisite three chords on the guitar from his father, but then switched to playing banjo at age 12 and became a fan of bluegrass music. Before graduating he heard the early recordings of Stevie Ray Vaughan, however, and was floored by the virtuosity. While in college he saw Vaughan perform and he returned to the guitar with a new outlook and resolve. Not until he was 27, an age when other musicians were either already established or had long ago put their dream aside for the realities of life, did Albert finally decide to go for it.

An intense period of wood shedding resulted Albert sharing a bill with Double Trouble, the late Stevie Ray Vaughan's rhythm section. So taken with Albert's fire and passion were bassist Tommy Shannon and drummer Chris Layton that they volunteered to play on and produce his debut recording. In 2003 the aptly-titled From the Heart (Under the Radar), with the awesome power of a Nor'easter and the soul of a natural born artist.

Tours and shows with blues legends B.B. King, Johnny Winter, Buddy Guy and others brought his music to an audience grateful for the opportunity to be rocked hard by a man possessed to play every song like his life depended on it.

Albert Cummings is a man of his times and the man for the times. He has built his own musical edifice that expresses his thoughts and dreams. It is a vision that alternately excites and soothes while also clearly providing a glimpse of his unlimited future. The best is yet to come.

http://albertcummings.com/




Allen Stone w/ Maiah Manser

Genre: Singer-songwriter , Soul

  1. Monday, April 13 7:30 PM (All ages)

As part of the launch of Greenlight Media and Marketing’s “Evolution of an Artist” digital content series, critically acclaimed musician and Washington native Allen Stone will perform five hometown shows in Seattle, WA April 13-18, 2015.

The unique “Evolution of an Artist” series will recreate Allen’s rise as a live performer in Seattle’s music scene. Starting with one of the first venues Allen ever played back in 2008, the (300 capacity) Triple Door on April 13th, to headlining the majestic Paramount Theatre on April 18th (2,807 capacity). Other venues he will play during the week include Nectar Lounge (4/14),

The Crocodile (4/16), and Neumos (4/17). All shows will feature up and coming local Seattle bands as support.

Allen recalls, “When I moved from Chewelah WA to Seattle WA I was terrified. I was a tiny fish in a gigantic pond, a pond with an extremely rich history of powerful music. However, what I found was a very supportive community of music lovers and players that put me on their back and helped make my dream a reality. I am most comfortable performing my songs in Seattle so revealing my new songs and recounting the evolution of my musical experience there is going to be mad fun!”

“We’ve been promoting shows with Allen from the beginning,” says Ryan Cook from Seattle Theatre Group. “To be able to recreate Allen’s growth as an artist during an entire week is something we’ve never done before. We couldn’t be more proud to help Seattle celebrate Allen’s success.”

During this six-night stand, Allen and his band will play both old favorites and new tunes from his forthcoming Capitol Records debut, Radius. Seattle’s rich musical heritage that includes everybody from Jimi Hendrix to Pearl Jam to Macklemore and Ryan Lewis serves as an enlightening backdrop for Allen’s ‘Evolution of an Artist’ week. With his knack for musical innovation and incendiary performance style, Allen maintains his musical roots while simultaneously forging a path of his own and continues to take soul down a new avenue.

Currently, Allen is in the studio putting the finishing touches on Radius with producers Benny Cassette, Malay, and Swedish musician Magnus Tingsek. They have already recorded on two continents with sessions in Malmö, Sweden and Allen’s cabin studio in Chewelah, WA. The first single is expected to be released in the coming weeks.

“The ‘Evolution of an Artist’ program is a reflection of an artist’s journey to success,” said Dominic Sandifer, president of GreenLight Media & Marketing. “Everyone, whether an artist or not, began their careers somewhere – and this series encourages the fans and artists to retrace their footsteps while moving on towards the next chapter. Allen is the perfect representation of the series.”

Other partners in the program include Pogoseat, an enterprise solution for sports teams and concert venues that enables their fans to upgrade seats and purchase unique VIP upgrades during events.

VIP Weeklong Pass: $300.00 {Not available for purchase thru Triple Door.  Click here for information}

VIP tickets & weeklong passes include:

- Early entry to venue

- Pre-show meet & greet w/ Allen Stone (prior to doors)

- Photo opportunity w/ Allen Stone

- Limited edition signed Allen Stone poster


Amos Miller Presents SuperSquare

Genre: Everything

  1. Wednesday, May 13 7:30 PM (All ages)

Each ticket gets a copy of the new album, via Amos Miller.

SuperSquare, the new opus from acclaimed Seattle producer and GRAMMY nominee Amos Miller, immerses the listener in a visceral soundscape, with sensibilities ranging from hip-hop to jazz and beyond.  It is brought to life with the fiercely talented musicians of Love City Love, the acclaimed ensemble Miller curated, whose members are at the core of Seattle's cultural scene. Miller uses 4 part harmonies, heavy bass, trap beats, tibetan bowl playing, spoken word and 8 bit synthesizer programming to create a space of reflection, discord, and healing. The 22 tracks are short vignettes that weave into the next, blending tempos, chord progressions and lyrical content. Each song becomes a movement in the overarching composition that is the whole album. Miller crafts organic textures and ethereal tones, juxtaposing a wild imagination with nuance and restraint, resulting in a pulsing and dynamic musical experience. The album features production work from platinum selling producer Jake One, the futuristic sounds of Jahon Mikal, vocal performances by Adra Boo and Hanna Benn, and live instrumentation by Evan Flory-Barnes and many more. The album will be released Wednesday May 13th at The Triple Door in Seattle and will be available exclusively on www.ziibra.com.

An Evening with Alan Doyle

Genre: Pop-Rock , Roots Rock


Alan Doyle, actor, producer, newly-minted best-selling author, and best-known as lead singer for Newfoundland’s beloved Great Big Sea these past 20+ years, is set to release his second solo album, So Let’s Go, on January 20. Title-track lead single So Let’s Go, is a rousing rallying cry that’s only further proof of Doyle’s ability to draw the listener under his banner. Equally adept at drawing a crowd, Doyle will be embarking on a North American tour upon album release.

Made in collaboration with Thomas ‘Tawgs’ Salter (Lights, Walk Off The Earth), Jerrod Bettis (Adele, Serena Ryder), Gordie Sampson (Keith Urban, Willie Nelson), and Joe Zook (OneRepublic, Katy Perry), the album follows Doyle’s first solo outing, Boy On Bridge, released in 2012. “If there’s an over-arching theme on this record, it’s one of optimism...not that this is in contrast to my previous doom- laden songs!” laughs Doyle, who says this album is freer than Boy On Bridge in the respect of being open to all influences. “On my last solo record I wanted to explore musical backyards of friends of mine in different parts of the musical world. It was as much a physical as a musical journey away from home. On So Let’ s Go, folks will hear much more stuff from my backyard and all the traditional and Celtic influences I grew up with, married with the most contemporary collaborators out there.” A non-traditional marriage for Doyle was writing his first book simultaneously with the album, the best-selling memoir Where I Belong, released last month.

The album’s eponymous song is consistent with Alan Doyle’s ethos: we’re lucky to be here so let’s make the most of it. This spirit also infuses the heartfelt Take Us Home while Sins of a Saturday

Night celebrates a come-what-may approach. The album also gets reflective in moments, such as the plaintive Laying Down To Perish, inspired by a visit to Fogo Island. As a whole, So Let’s Go remains consistent with Alan Doyle’s enthusiasm for the wider world combined with a love for the comfort of home.

Alan Doyle hails from Petty Harbour, NL, and formed Great Big Sea in 1993 with Sean McCann, Bob Hallett, and Darrell Power, in which they fused traditional Newfoundland music with their own pop sensibilities. Their nine albums, double-disc hits retrospective, and two DVD releases have been declared Gold or Platinum and have sold a combined 1.2 million copies in Canada. So Let’s Go continues to cement Alan Doyle’s reputation as one of our country’s most treasured musicians and storytellers. “I always want people to have the greatest night of their life when the house lights go down.”

http://alandoyle.ca/





An Evening with Howard Jones solo - the songs, the piano, and the stories

Genre: Piano , Singer-songwriter

  1. Thursday, May 07 7:30 PM (All ages)

After an extraordinarily successful 2012 which included tours of Japan, UK, USA, Singapore and Australia, Howard Jones continued touring in 2013 which marked 30 years since the release of his first single ‘New Song’ in 1983. A tour of the USA with Erasure’s Andy Bell in August and three very successful special UK concerts in November marked this special milestone.

The August 2013 US Tour included a long overdue return to the legendary Greek Theatre in Los Angeles and a spectacular sold out concert at the Mountain Winery in Saratoga (San Francisco). This was the first time Howard had played The Greek since the eighties. The tour culminated at the Arena Ciudad de Mexico in Mexico City playing to an astonishing 13,000 people. This was the first time Howard had ever played a concert in Mexico.

At the November 2013 30 year celebration UK concerts Howard debuted a brand new suite of songs under the name ‘Engage’ which were presented with bespoke video and multi-projection. The response to this new material was extraordinary with many claiming it was the best music Howard has ever written and performed.

Howard appeared as special guest to Michael Sheen on January 4 2014 at BBC Radio Two in London. Howard performed ‘Hide and Seek’ live and Michael played the world premiere of ‘Human Touch’ from the Engage set.

Howard Jones is playing multiple festival dates in the UK in the summer of 2014 including the Rewind Henley festival on 17 August 2014. He then embarks on a huge US, Canada and South America tour co-headlining with The Thompson Twins’ Tom Bailey.

It was in 1983 that Howard Jones first burst upon the contemporary music scene with his very English song-writing and pioneering synthesizers. Anyone who was around in the mid to late eighties will remember those high energy gigs and his first two albums Human’s Lib and Dream into Action. They lived in the higher reaches of the album charts in the UK, USA, Germany, Italy, Sweden, Canada, Australia and many other countries in the 1984-86 period, and the hits kept coming……..New Song, What is Love?, Pearl in the Shell, Hide and Seek,(which he performed at Live Aid in 1985), Like to Get to Know You Well, Look Mama, Things Can only Get Better, Everlasting Love and the quintessential No One is To Blame, which reached No.1 in the US.

http://www.howardjones.com/

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Triple Door

216 Union Street
Seattle, WA 98101
Tickets 206.838.4333